Max L. Feldman is a writer based in Vienna. He mainly writes about contemporary art, philosophy, and politics.

The slideshow below contains what I consider to be my greatest hits, chosen on the basis of sentimental value and actual quality. Everything else, including everything I’ve written since 2010, is available here or the buttons above.

'Divine Truths Fallen Through the Cracks'

Slavs & Tatars, ‘Hang Don’t Cut’, Kraupa-Tuskany Zeidler, Berlin (July 2023)

'Artists in a Time of War'

Castello di Rivoli, Turin, Art Monthly, No.468 (July-August 2023)

'Self-Extinguishing Flickers of Charm'

Graham Little, Mousse, Issue 84 (July 2023)

'A Wager of the Body'

Mounira Al Solh, Pégalie Gbaguidi, Anne-Mie Van Kerckhoven, ‘Works on Paper’, Zeno X Gallery, Antwerp, Mousse (June 2023)

'Perfect Behaviours'

Life Redesigned by the Algorithm, OGR - Officine Grandi Riparazione, Turin, Studio International (June 2023)

'States of Violence'

a/political, London, ARTNews (May 2023)

'Holding Back and Holding Tight'

On Steve McQueen’s Sunshine State, e-flux (March 2023)

'On Sickness and Self-Transcendence'

‘Kingdom of the Ill’, Museion, Bolzano, Mousse (January 2023)

'Still to Come for the Kids'

On Opera and Seriousness, Mousse (March 2020)

'a.o - b.c.: An Audiovisual Diary'

State of Concept and Athens School of Fine Art, Athens, ArtReview (February 2020)

'The Battleground of the Spirit'

Chicago’s Glass and Steel Skin, Flash Art (December 2019)

'Blood for the Future'

Les Levine, ‘Resurrection’, IMMA, Dublin, Public Seminar (September 2019)

'Seductive Fascist Style'

On Disney’s Beauty and the Beast, Verso (September 2018)

'Abjection Without Splendour'

Günter Brus and Transgressions’s Diminishing Returns, review of ‘Unrest After the Storm’, Belvedere 21, Vienna, MOMUS (July 2018)