Michael Danner, Migration as Avant-Garde (book review), Amor Mundi (September 2019)

Céline Condorelli, ‘Equipment’, Significant Other, Vienna, ArtReview, (September 2019)

‘Blood for the Future: The Northern Ireland “Troubles” in Les Levine’s Resurrection at Irish Museum of Modern Art, Dublin’, Public Seminar (September 2019)

Gelitin & Liam Gillick, ‘Stinking Dawn’, Kunsthalle, Vienna, FlashArt, Issue 327 (September-October 2019)

‘Milena Büsch’s Large Paintings Parody Consumer Culture’, review of: Milena Büsch, ‘Battle Royale’, Felix Gaudlitz, Vienna, Hyperallergic (August 2019)

‘Wounds Yet to Scar: Collective Memory in Contemporary Chilean Video Art at “Remembering What Is”, Lunds Konsthall, Lund, Public Seminar (July 2019)

Visions of the Apocalypse to Come: LISTE Art Fair 2019, Basel’, FlashArt (June 2019)

James Lewis, ‘Sagas’, Futur II, Vienna, FlashArt (June 2019)

‘The Greatest Possible Torment: The Last Judgment by Frans Floris’, Amor Mundi (June 2019)

Jieun Lim, ‘RGB: Return to the Gate Following B’, Ermes-Ermes, Vienna, Flash Art (May 2019)

‘Permanent Mystifications: The Story of Slovak (Post)Conceptual Art’, Prague City Gallery, Stone Bell House, Prague, Public Seminar (April 2019)

‘All That is Solid: Liu Wei’, Mousse (April 2019)

Arthur Jafa, ‘A Series of Improbable, Yet Utterly Extraordinary, Renditions’, Galerie Rudolfinium, Prague, ArtReview (April 2019)

‘Thomas Schütte: No Heroic Illusions’, L’Officiel Art (April 2019)

Anna Hulacová & Zsófia Keresztes, ‘Éntomos’, curated by Sandra Barborovska, Prague City Gallery, Colloredo-Mansfeld Palace, Prague, ArtReview (March 2019)

‘The Fundamental Chord: Remembering Carl Heidenreich’, Amor Mundi (March 2019)

‘Beyond the Pale of the Law: Rightlessness on Reality TV in Christoph Schlingensief’s Bitte Lieb Österreich’, Amor Mundi (February 2019)

‘Antarctica: An Exhibition on Alienation’, Kunsthalle, Vienna, Mousse, Issue 66 (Winter 2019)

‘The Day After the Explosion: Art of the First Czechoslovak Republic 1918-38’, National Gallery, Prague, Amor Mundi (January 2019)

Asier Mendizabal, ‘Process and Chance’, Galerie Martin Janda, Vienna, Frieze (December 2018)

‘Can You Visit Me In Dreams?’, curated by Atillia Fattori Franchini, Galerie Nathalie Halgand, Vienna, ArtReview (December 2018)

Ellie Ga’s Empire of Texts’, Hyperallergic (November 2018)

‘Wes Anderson and Juman Malouf’s Curatorial Debut in Vienna Relives the Moment of First Love’, Frieze (November 2018)

‘Now Forever’, curated by Mark Rappolt, Galerie Crone, Vienna, Flash Art, Issue 323 (November 2018-January 2019)

James Lewis, ‘Hints’ - exhibition text, Galerie Hubert Winter, viennacontemporary, Vienna (September 2018)

curated_by Vienna, various galleries, Vienna, Spike Art Quarterly (September 2018)

Alexander Kluge, ‘Pluriverse’, Belvedere 21, Vienna, FlashArt, Issue 322 (September-October 2018)

'Other Mechanisms', curated by Anthony Huberman, Secession, Vienna, ArtReview (September 2018)

Lone Haugaard Madsen, 'raum#350-Lystre', Galerie Sophie Tappeiner, Vienna, Frieze, Issue 197 (September 2018)

Abjection Without Splendor: Günter Brus and Transgression's Diminishing Returns, MOMUS (July 2018)

Iza Tarasewicz, 'In myriads, things cry out', Galerie Croy Nielsen, Vienna, ArtForum (June 2018)

Cäcilia Brown, Kerstin von Gabain, Thea Moeller, Alexander Ruthner, Marina Sula, Gabriele Senn Galerie, Vienna, Spike Art Quarterly, Issue 56 (Summer 2018)

Bouchra Khalili, Secession, Vienna, Spike Art Quarterly, Issue 56 (Summer 2018)

Elina Brotherus, 'It's Not Me, It's a Photograph', Kunst Haus Hundertwasser, Vienna, Aesthetica, Issue 83 (June/July 2018)

Haim Steinbach, 'Mojave', Galerie Hubert Winter, Vienna, ArtAgenda (May 2018)

Opening: Lena Henke at Emanuel Layr (Interview), Spike (May 2018)

Joe Scanlan, 'New Tricks, New Schemes', Galerie Martin Janda, Vienna, FlashArt, Issue 320 (May 2018)

Albert Mertz, 'Dekonstruktion af maleriets møblement', Galerie Croy Nielsen, Vienna, FlashArt, Issue 319 (March/April 2018)

Francesca Woodman, Galerie Hubert Winter, Vienna, ArtForum (March 2018)

Jiri Kolar, Jiri Kovanda, Dominik Lang, Katja Strunz, Sofie Thorsen, and Jenni Tischer, 'Collage', Galerie Krobath, Vienna, unpublished (March 2018)

Július Koller, 'Subjektobjekt', Galerie Martin Janda, Vienna, ArtAgenda (February 2018)

Bruno Gironcoli, 'Shy at Work: Works on Paper', mumok, Vienna, Mousse, Issue 62 (February/March 2018)

'Cultural Perspectives: Theresa Lichtenstein's Image Building', Aesthetica, Issue 81 (February/March 2018)

Liesl Raff, 'Maximal Soft', Galerie Sophie Tappeiner, Vienna, exhibition text (January 2018)

Olga Chernysheva, 'Chandeliers in the Forest', Secession, Vienna, FlashArt, Issue 318 (January/February 2018)

Natural Histories: Traces of the Political, curated by Rainer Fuchs, mumok, Vienna, Frieze, Issue 192 (January/February 2018)

R.H. Quaytman, 'Chapter 32. An Evening', Secession, Vienna, Mousse, Issue 61 (December 2017/January 2018)

Sophie Reinhold, 'Exchange of Vacuums', Galerie Sophie Tappeiner, Vienna, ArtForum (December 2017)

Dexter Dalwood, '"Ein Brief": New Paintings by Dexter Dalwood', curated by Michael Bracewell, Galerie Hubert Winter, Vienna, FlashArt, Issue 317 (November/December 2017)

Nicole Eisenman, 'Black Light', Secession, Vienna, Springerin, Heft 4/2017 (October 2017)

'Threads Left Dangling, Veiled in Ink', curated by Béatrice Gross, Galerie Emanuel Layr, Vienna, ArtForum (October 2017)

curated by_Vienna, various galleries, Vienna, Spike Art Quarterly (September 2017)

Joel Shapiro, Fuse Gallery, London, Frieze, Issue 189 (September 2017)

Ben Schumacher, 'The Testing Place', Croy Nielsen, Vienna, Spike Art Quarterly, Issue 52 (Summer 2017)

Eduard Angeli, 'Retrospective', Albertina, Vienna, ArtForum (May 2017)

Do Ho Suh, 'Passage/s', Victoria Miro, London, Frieze, Issue 186 (April 2017)

'Revolution: Russian Art 1917-1932', The Royal Academy of Arts, London, unpublished (February 2017)

Anna Sophie Berger, 'Places to Fight and Make Up', mumok, Vienna, Frieze, Issue 184 (January/February 2017)

A Letter From Wrocław: Heartland of Poland's Hipster Revolution, The Calvert Journal (December 2016)

'Body, Psyche, and Taboo: Vienna Actionism and Early Viennese Modernism', mumok, Vienna, Frieze, Issue 179 (May 2016)

'to expose, to show, to demonstrate, to inform, to offer', mumok, Vienna, unpublished (October 2015)

Four Historically-Haunting Problems with the Sigmund Freud Museum, Metropole (September 2015)

Wozzeck, Royal Opera House, London, unpublished (November 2013)

Yoko Ono, 'Half-A-Wind Show - A Retrospective', Louisiana Museum of Modern Art, Humlebæk, Denmark, NYArts (June 2013)

'The Vivisector', curated by Todd Levin, Sprüth Magers, London, unpublished (November 2012)

Damien Hirst, 'Retrospective', Tate Modern, London, unpublished (April 2012)